“Everything at her gorgeous retrospective at the Whitechapel attests to her fascination with beauty and precarity. It’s rich in experimentation, with her striking adaptation of Victorian techniques such as cyanotype and salt printing, self-portraiture and film, illustrating her resourcefulness and rigour. Gregory’s work is a national treasure.” Written by Jonathan Jones, Charlotte Jansen , Adrian Searle and Eddy Frankel. The …

“British visual artist Joy Gregory has a huge following for her contemporary photography and she’s been the recipient of numerous accolades over her four-decade career. So it’s something of a surprise that Joy Gregory: Catching Flies with Honey is the first major survey of her work. The gallery has collated over 250 works spanning from the …

Plaster Magazine includes Catching Flies With Honey in their weekly roundup of art happenings in London and across the UK. The full feature can be found here.

Tianna Williams features Catching Flies With Honey as a must-see show in London in December, for Wallpaper* Magazine. The full article can be found here.

Karlina Nathan lists The Whitechapel Gallery as one of her favourite galleries in the capital and discusses how she helps clients on their collecting journey. The full feature can be found here. Written by Mia Aimaro Ogden.

Sarah Kent for The Arts Desk writes: “The title of Joy Gregory’s Whitechapel exhibition is inspired by a proverb her mother used to quote – “you catch more flies with honey than vinegar” – and her aim is to seduce rather than harangue the viewer. It’s a good stratagem, especially if you are pointing to things …

Lakwena Maciver lists Catching Flies With Honey as a must-see show in London for ‘In The Frame’ with Marie Claire. The full feature can be found here.

Beth Williamson for Studio International writes: “Contemporary photography, as it has developed over the last 40 years or so, would not be the same without the innovative work of the Black British artist Joy Gregory. Working in film, photography, installation and textiles, she has, across four decades, expanded methods, materials, content and approach. The scope …