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| 2025 | Photography, Ecology and Historical Change in the Anthropocene: Activating Archives | Bergit Arends, Routledge, UK |
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| 2024 | Transports of Delight (Curated by Edward Chell) | Emma Brooker, Edward Chell, Daniel Arnaud Gallery, UK |
| The 80s: Photographing Britain | Debbie Meniru, in conversation: Joy Gregory & Dalia Al- Dujaili, Tate Publishing, UK |
| Shining Lights. Black Women Photograpers in 1980s-'90s Britain | Joy Gregory, Mack & Autograph, UK |
| A Garden Manifesto | Olivia Laing & Richard Porter, Pilot Press, UK |
| Lucky Valley. Edward Long and the History of Racial Capitalism. (Book Sleeve) | Catherine Hall, Cambridge University Press, UK |
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| 2023 | Women in Revolt. Art and Activism in the UK 1970-90 | Linsey Young, Rachel Garfield, Tate Publishing, UK |
| British Journal of Photography; Ones to Watch | Ravi Ghosh, 1854 Media, UK |
| EXIT // Album I - Personal Stories | Marta Sese, Producciones de Arte y Pensamiento, S. L., Spain |
| the collective | Rapidity, UK |
| Peckham's Heritage. Past, Present & Future | Derek Kinrade, with Benedict O'Looney and The Peckham Heritage Regeneration Partnership, Southwark Council, UK |
| Again, with Photography; Daegu Photo Biennale | Sangwoo Park, Michel Frizot, Daegu Foundation for Culture & Arts (Daegu Arts Centre), Korea |
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| 2022 | Me Myself and I. Artist's Self-Portrait | Tessa Jackson & Lara Perry, Sansom & Company, UK |
| Another Country. British Documentary Photography Since 1945 | Gerry Badger, Thames & Hudson / Martin Parr Foundation, UK |
| The British Museum Issue 2022 | Clarissa Farr, The British Museum, UK |
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| 2019 | Decolonising the Camera: Photography in Radical Time | Mark Sealy, Lawrence & Wishart, UK |
| Katalog 30.2 | Jens Fris, Katalog Journal, Denmark |
| The RPS Journal: Volume 159, Number 9 | Gemma Padley, Royal Photographic Society, UK |
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| 2018 | Stick to the Skin. African American and Black British Art, 1995-2015 | Celeste - Marie Bernier, University of California Press, USA |
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| 2016 | Travel and See | Gemma Padley, Duke University Press, UK |
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| 2011 | Translating Place: Artists Residences/ Joy Gregory (Rohini Malik Okon & Anne McNeill) | Impressions Gallery, Bradford, UK |
| Contemporary Group Journal : The Royal Photographic Society Number 43 | Patricia Ruddle ARPS, Royal Photographic Society, UK |
| Timed out. Art and the transitional Caribbean | Leon Wainwright, Manchester University Press, UK |
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| 2010 | They Called Her Hottentot: The Art, Science, and Fiction of Sarah Baartman | Deborah Willis / USA |
| Critical Cities: Ideas, Knowledge and Agitation | Deepa Naik & Trenton Oldfield - UK |
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| 2008 | 3 Minute Wonder – Channel 4 Picture This | Channel 4 |
| Picture This, Channel 4 – Arts Programme | Channel 4 |
| To Travel in Her Shoes / Cheryl Finlay | NKA -Journal of Contemporary African Art, USA |
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| 2007 | Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds | Yale Center for British Art |
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| 2004 | Objects of Beauty | Monograph, Autograph/Chris Boot, London |
| We Are the Camera | Houston Centre of Photography, USA |
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| 2003 | Cinderella ATHA | Vitoria, SPAIN |
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| 2002 | The Black Female Body | Philadelphia |
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| 2001 | Africa Today, the Artist and the City | Barcelona, Spain |
| Cinderella Stories [DVD] | OVA London |
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| 1998 | Forum 4 -Continental Drift | Edinburgh |
| Continental Drift. -. 10 Photographic Commissions | Prestel, Munich |
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| 1997 | Lost Histories : SANG | Cape Town |
| In Visible Light – Photography and Classification | MOMA Oxford |
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| 1995 | Joy Gregory - Monograph | Autograph, London |
| Orientation | 4th Istanbul Biennale |
| Sometime/s 1&2 | OVA, London |
| Africus | Johannesburg Biennale 1995, Catalogue, Johannesburg |
| 4th International Istanbul Biennal | Istanbul |
